Monday, June 10, 2013

Soul Pursuits has a new home!

Hello, dear friends. I have moved my Soul Pursuits blog to www.liannedowney.com See you there!

If you enjoyed some of my posts here, I plan to leave them in place. But you'll find updates and postscripts, if any, at the new site. (For instance, I'm going to explore my new, less-fearful relationship with bears later this summer.)

If you read my earlier posts about my experiment with The Schwarzbein Principle healing program, "Why I Got Fat on Purpose," I have deleted them since it did not work well for me. I gained the expected pounds in my quest for adrenal healing, but also gained a number of weight-related health problems. Duh! I don't recommend it! Good news: I've gone off the program and am now losing the weight and getting very healthy again. Yay!

Lastly, my new book, Speed Your Evolution: Become the Star Being You Are Meant to Be, will be out soon, available in paper or digital wherever books are sold.

Wednesday, February 20, 2013

Cosmic Dancer Dance in Film Awards 2012


Dance scene from Anna Karenina with Keira Knightley and Aaron Taylor-Johnson

In honor of my novel Cosmic Dancer---a metaphysical tale of dance, love, and dancing between lifetimes---I am announcing the winners in the first annual
Cosmic Dancer Dance in Film Awards
for
English-language films released in 2012
Joseph and I love dancing, and therefore dance movies.
Give us any kind of dancing: West Side Story, Dirty Dancing, Flash Dance, The Turning Point, Boot Men, Dance with Me, Saturday Night Fever, Center Stage, Step Up, Bollywood movies, and on and on. We've watched all three films titled Shall We Dance? Not to mention documentaries and television celebrations of dance and dancers, along with a number of movies that we suffered through only for the dancing. 
Can't leave out the old films with Fred, Ginger, Gene, and others hoofing it all over the silver screen: on ships, over furniture, up walls, around hotel rooms, among parades, and in the rain.
More recently, we've had to rely on television series to keep our dance mania alive while some real stinkers have shown up at the cineplex.
But in 2012 we noticed filmmakers using dance in exciting new ways, featuring choreographers we’ve come to love. We wanted to honor and applaud those efforts to bring quality dancing into movie theaters.
Hence the Cosmic Dancer Dance in Film Awards, which we hope to make an annual tradition, encouraging more good dancing in excellent films.
If you love dance, dancers, and dancing,  please join us to promote better dancing in the movies by sharing our winners list around the Net via Facebook, Twitter, your own blog, or wherever! And be sure to support the makers of the following films.

Which were your favorites this year? Or for all time? We’d love to hear your opinions in the comments section below! Did we miss any good ones?

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2012 Winners of the Cosmic Dancer Dance in Film Awards 

Best Dramatic Use of Dance: Anna Karenina, directed by Joe Wright.
      For a stunningly clever Viennese waltz choreographed by Sidi Larbi Cherkaoui, and for the director’s overall use of choreographed movement. Apparently, we’re not the only ones who noticed how extraordinary the Wright/Cherkaoui team was:

http://www.nytimes.com/2012/11/24/arts/dance/sidi-larbi-cherkaouis-choreography-for-anna-karenina.html?pagewanted=all&_r=0

Best Choreography: Travis Wall, Christopher Scott, Jamal Sims, and Chuck Maldonado, choreographers of Step Up Revolution, directed by Scott Speer
     For their wild, daring, passionate, and innovative numbers.

Kathryn McCormick and Ryan Guzman in Step Up Revolution
Best Dancing: The dancers of Step Up Revolution, especially Kathryn McCormick
     For keeping up with those choreographers and pushing the envelope.
 
Most Therapeutic Use of Dance: Silver Linings Playbook, directed by David O. Russell, choreographed by Mandy Moore
     You’ll understand why if you watch the film!

Scene from Silver Linings Playbook
 * * * *
Now it’s difficult to choose “bests” without coming across a few disappointments, and sometimes the disappointment is so harsh, you just have to mention it in the hope that you can discourage such missteps by future filmmakers. That’s my excuse anyway.

Most Underused Dancer: Julianne Hough in Rock of Ages, directed by Adam Shankman, choreographed by Adam Shankman and Mia Michaels
     It’s a fun movie, but she’s a dancer we’d like to see more from. We had to find her edited-out dance scene with Tom Cruise on YouTube, where it seems to be very popular (and R-rated).

Most Ill-Used Dancer: Channing Tatum in Magic Mike, directed by Steven Soderbergh, choreographed by Alison Faulk.
     His talent deserves better than this dark mess.

Fastest Turn-Off:  Battlefield America, directed by Chris Stokes, choreographers’ names withheld to protect the innocent.
     Joseph and I used to brag that they’d never make a dance movie we couldn’t enjoy but we were wrong. A trite script is one thing, but too many unlikable characters and odious plot lines and it becomes this year’s reject, winning the dubious “Fastest Turn-Off” award after only 34 minutes! The dancing might have been good, but we wouldn’t know because of the poor camera angles and editing on the little bit we could stand to watch.

* * * *
I’m happy to say Julianne Hough must have a great sense of humor and made up for her lack of dancing in Rock of Ages at an after-party for the Golden Globes. Wish we’d been there to see it! Here’s the photo she posted on Instagram: http://instagram.com/p/Udpboaifw4/

Happy dancing and movie-going!
We’ve got high hopes for 2013!